Taj Mahal , Uttar
Pradesh
The mausoleum is located on the right bank of the river Yamuna at a
point where it takes a sharp turn and flows eastwards. Originally, the
land where the Taj Mahal presently stands belonged to the Kachhwahas
of Ajmer (Rajasthan). The land was acquired from them in lieu of four
havelis as is testified by a court historian, Abdul Hamid Lahauri, in
his work titled the Badshah-Namah and the firmans (royal decrees). For
construction, a network of wells was laid along the river line to
support the huge mausoleum buildings. Masons, stonecutters, inlayers,
carvers, painters, calligraphers, dome-builders and other artisans
were requisitioned from the whole of the empire and also from Central
Asia and Iran. While bricks for internal constructions were locally
prepared, white marble for external use in veneering work was obtained
from Makrana in Rajasthan. Semi-precious stones for inlay
ornamentation were brought from distant regions of India, Ceylon and
Afghanistan. Red sandstone of different tints was requisitioned from
the neighbouring quarries of Sikri, Dholpur, etc. It took 17 years for
the monument complex to be completed in 1648.
In all, the Taj Mahal covers an area of 60 bighas, as the terrain gradually sloped from south to north, towards the river, in the form of descending terraces. At the southern point is the forecourt with the main gate in front and tombs of Akbarabadi Begum and Fatehpuri Begum, two other queens of Shah Jahan, on its south-east and south-west corners respectively called Saheli Burj 1 and 2.
On the second terrace is a spacious square garden, with side
pavilions. It is divided into four quarters by broad shallow canals of
water, with wide walkways and cypress avenues on the sides. The water
channels and fountains are fed by overhead water tanks. These four
quarters are further divided into the smaller quarters by broad
causeways, so that the whole scheme is in a perfect char-bagh.
The main tomb of the Taj is basically square with chamfered
corners. The minarets here are detached, facing the chamfered angles
(corners) of the main tomb on the main plinth. Red sandstone mosque on
the western, and Mehman-Khana on the eastern side of the tomb provides
aesthetically a clear colour contrast.
The Taj has some wonderful specimens of polychrome inlay art both in the interior and exterior on the dados, on cenotaphs and on the marble jhajjhari (jali-screen) around them.
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